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Articles by Grant Chu Covell
Naxos
Bowl 3: Some American Classics. [April 2008.]
Italian
Vacation 6. [March 2008.]
Mostly
Symphonies 6. / Naxos Bowl 2. [February 2008.]
A
Late Last-But-Not-Least List. [January 2008.]
Haydn,
Carter and Mahler at the BSO. [December 2007.]
Italian
Vacation 5. [November 2007.]
Armchair
Operas 1. [October 2007.]
Mostly
Symphonies 5. [October 2007.]
EA
Bucket 7: Working Masters. [September 2007.]
EA
Bucket 6: Historic Releases. [August 2007.]
Pièces
de Clavecin 2: Jean-Philippe Rameau. [July 2007.]
EA
Bucket 5. [June 2007.]
Pièces
de Clavecin 1: François Couperin. [May 2007.]
Ferneyhough & Stockhausen:
Grubby and Gruppen. [April 2007.]
Mozart
and Tan Dun at the Met (with a Detour to China). [March 2007.]
Mostly
Symphonies 4. [January 2007.]
New
and Essential Xenakis, Part 2. [December 2006.]
Never
Enough String Quartets! [December 2006.]
New
and Essential Xenakis, Part 1. [October 2006.]
Sticking
with col legno. [September 2006.]
Non-Trivial
Simplicity. [August 2006.]
Mostly
Symphonies 3. [July 2006.]
Further
Aperghis Sightings. [June 2006.]
Ictus
Rocks: New Romitelli and Aperghis on Cyprès. [June
2006.]
Italian
Vacation 4. (con Claudio). [May 2006.]
1951
and Cage’s Music of Changes. [April 2006.]
Anomalies
Pleasant and Surprising. [April 2006.]
EA
Bucket 4. [February 2006.]
Fresh
and Canned. [January 2006.]
Mostly
Symphonies 2. [January 2006.]
“Come
io passo l’estate”: Italian Vacation 3. [December
2005.]
“This
Represents At Least a Thousand Words I Was Not Counting On.” [November
2005.]
Pärt
at 70. [November 2005.]
Dipping
into the EA Bucket 3. [October 2005.]
Storage
Stories. [October 2005.]
“Presque
Fin”: Ferrari Almost Final. [September 2005.]
Repetition
Isn’t Always the Same. [August 2005.]
Mostly
Symphonies. [July 2005.]
Netherlands
Winds & Friends. [June 2005.]
Two
Recent Requiems. [June 2005.]
A
Bowl of Naxos. [May 2005.]
Remembering
Arthur Berger. [April 2005.]
Dipping
into the “EA” Bucket 2. [March 2005.]
Piano
Quintets from Varied Lands. [March 2005.]
Italian
Vacation 2. [February 2005.]
The
Forgotten, the Unfamiliar and the Unknowable. [January 2005.]
A
Naïf Sees Handel’s Rodelinda at the Met. [January
2005.]
End-of-the-Year
Ramble. [December 2004.]
Elliott
Carter on the Big Screen. [December 2004.]
Wittgenstein’s
Music, Music’s Wittgenstein, and Josef Labor. [November
2004.]
Transcendentalist
Studies: Aimard, Hamelin, Mayer & Mead Tackle Ives’ Concord
Sonata. [November 2004.]
Notes
from the Great Vacuum. [October 2004.]
Project
Notes, Part 28b. [October 2004.]
From
Other Worlds: Bancquart, Hunt, Schoenberg’s Handwriting, the
Vihuela. [September 2004.]
Schoenberg’s “Mis-Handel-ing” and
Other Curiosities. [August 2004.]
A
Surprise in ’Most Every Box: Mariétan, Kagel, Boulez,
Harvey, Say, Gallois, Nyman, Wolff. [July 2004.]
Georges
Aperghis and Die Hamletmaschine. [June 2004.]
RetraCE
We NeW E CarteR. [May 2004.]
Distinctive
Americans: Cage, Rochberg, Wolpe, et al. [April 2004.]
Albert
E. Wier, Music Editor Extraordinaire. [April 2004.]
Nono’s
Shrug at Immortality: La lontananza nostalgica utopica futura. [March
2004.]
The
Nyman Bug. [March 2004.]
Dipping
into the “EA” Bucket 1. [February 2004.]
Meat,
Potatoes, Parsley: Eötvös, Kagel, Leifs, Pritchard, Stäbler,
B.A. Zimmermann. [January 2004.]
Heavy
Rotation in 2003: Czernowin, Formenti, Guerrero, Harada, Harrison,
Serkin, Pollini. [December 2003.]
Tales
of Two Cultures: Hashimoto and Hosokawa. [December 2003.]
Four
Symphonies: Reduced, Amplified, Completed and Unnecessary. [November
2003.]
Luc
Ferrari, Head and Tail. [October 2003.]
A Dernier CRI,
Slices of Cantaloupe, and Schlag from Vienna Modern Masters. [October
2003.]
American
Symphonies on Naxos and First Edition. [September 2003.]
Echt
und Ersatz: Mahler, Bruckner, Rott, Zemlinsky, et al. [August
2003.]
Italian
Vacation 1. [July 2003.]
Unfamiliar
Masters. [May 2003.]
Things
That Are Not Quite What They Seem. [April 2003.]
David
Tudor, Performer and Composer of Live Electronic Music: A Survey
of Available Recordings. [April 2003.]
Up
from the Archives: Deutsche Grammophon’s Echo 20/21, Wergo’s
Fortieth, and ENHB. [March 2003.]
An
Eclectic Stringed Ramble. [February 2003.]
Neither
Bad Boy nor Bum: New Recordings of Ornstein and Partch. [February
2003.]
December
Ramble: NMC and Edition Wandelweiser Records. [December 2002.]
One
of the Year’s Best Books (and Then Some). [December
2002.]
November
Ramble. [November 2002.]
An
Assorted Ramble: Balada, Enescu, Eötvös, Lopez, Meier and
Scelsi. [August 2002.]
An
Eclectic Piano Ramble: Outside, Inside and Synthesized. [July
2002.]
A
Personalized Ramble through Mostly New Releases. [May 2002.]
Collections
and Colecciónes. [May 2002.]
An Assortment of Moderns. Part
I. and Part
II. [December 2001. Orginally appeared in La Folia 3:5.]
Recordings
of new and recent music including Morton Feldman’s writings. [August
2001. Orginally appeared in La Folia 3:4.]
CEC
and Digital Rewind: 25th Anniversary of MIT’s Experimental
Music Studio [April 2001. Orginally appeared in La Folia 3:3.]
A
Wake for Montaigne? [April 2001. Orginally appeared in La
Folia 3:3.]
Scrooge,
Saxes and Sonic Circuits: Four from Innova [April 2001. Orginally
appeared in La Folia 3:3.]
Two
Italians on Mode. [January 2001. Orginally appeared in La
Folia 3:2.]
The
Year’s Best Piano release, plus Mahler, Andriessen, Aluminum
and Glass. [January 2001. Orginally appeared in La Folia 3:2.]
Stockhausen
is Invisible. [November 2000. Orginally appeared in La
Folia 3:1.]
Two
new Cage recordings: one expands the canon, the other controversial. [November
2000. Orginally appeared in La Folia 3:1.]
Franco
Donatoni: June 9, 1927 - August 17, 2000. [November 2000.
Originally appeared in La Folia 3:1.]
Pogus
label report. [November 2000. Orginally appeared in La
Folia 3:1.]
Franco
Donatoni: In cauda. [July 2000. Orginally appeared in La
Folia 2:5.]
Michael
Nyman, Pierre Henry, and the CEC. [July 2000. Originally
appeared in La Folia 2:5.]
Early
Electronic Music, as a record review. [April 2000. Originally
appeared in La Folia 2:4.]
Stockhausen’s Helikopter-Streichquartett. [April
2000. Originally appeared in La Folia 2:4.]
Wearing his composer’s hat, Grant rambles
on Text into Music.
One of the funnier pieces we’ve published. [April 2000. Originally
appeared in La Folia 2:4.]
Varèse,
Elgar, and Ferrari. [February 2000. Orginally appeared in La
Folia 2:3.]
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