Author Archives: laf3adm
Der kranke Pierrot
As important as the thrice-seven poems of Op. 21 have been to my musical development, I can no longer sit still through Pierrot lunaire.
Der kranke Pierrot
As important as the thrice-seven poems of Op. 21 have been to my musical development, I can no longer sit still through Pierrot lunaire.
String Theory 1: Violins and Violas
In unceasing motion, Oesterle juggles 70 four-pitch groups into repeating patterns, generally double-stops with frequent harmonics, uneven rhythmic profiles and infrequent fast notes.
String Theory 1: Violins and Violas
In unceasing motion, Oesterle juggles 70 four-pitch groups into repeating patterns, generally double-stops with frequent harmonics, uneven rhythmic profiles and infrequent fast notes.
The French Connection
No one’s about to launch a “Mostly Fauré Festival” these days but I found it interesting that a number of recent CD releases reflect his central position in French chamber music at the turn of the last century.
The French Connection
No one’s about to launch a “Mostly Fauré Festival” these days but I found it interesting that a number of recent CD releases reflect his central position in French chamber music at the turn of the last century.
Album Tweets 7.
Walt Mundkowsky [February 2010.] Claudio MONTEVERDI: Vespro della Beata Vergine (1610) (rec. 1983-84); Selva morale e spirituale (pub. 1640-41) (exc., rec. 1982). Emma Kirkby (sop), Rogers Covey-Crump, Nigel Rogers (ten), David Thomas (bs), Taverner Consort, Choir & Players, Andrew Parrott
Album Tweets 7.
Walt Mundkowsky [February 2010.] Claudio MONTEVERDI: Vespro della Beata Vergine (1610) (rec. 1983-84); Selva morale e spirituale (pub. 1640-41) (exc., rec. 1982). Emma Kirkby (sop), Rogers Covey-Crump, Nigel Rogers (ten), David Thomas (bs), Taverner Consort, Choir & Players, Andrew Parrott
Trois Bachs et un Bizet
Marc Minkowski, once the rising hope of French early music, is nearing 50, and has a new label, Naïve, after more than a decade with Archiv.
Trois Bachs et un Bizet
Marc Minkowski, once the rising hope of French early music, is nearing 50, and has a new label, Naïve, after more than a decade with Archiv.
Second Appeal for Support for IMEB
Addressed to Colleagues, Artists, the Public and Friends of IMEB from All Countries
Second Appeal for Support for IMEB
Addressed to Colleagues, Artists, the Public and Friends of IMEB from All Countries
Armchair Operas 5.
A pair of DVDs present some of the short-lived Vivier’s most important works in theatrical performances, a two-evening spectacle, Rêves d’un Marco Polo, assembled by de Leeuw and Audi.
Armchair Operas 5.
A pair of DVDs present some of the short-lived Vivier’s most important works in theatrical performances, a two-evening spectacle, Rêves d’un Marco Polo, assembled by de Leeuw and Audi.
Album Tweets 6.
Walt Mundkowsky [January 2010.] Paul BLEY: Tears (rec. Paris, 5-19-83). Bley (pno). Owl 034 984 755 9 (http://www.universalmusic.fr/). Purchased from Grooves Inc., Basel, CH (http://stores.ebay.com/groovesincuk). Bley summons past routines, haltingly. Also, Dolphy’s Music Matador (1963) and a tribute for trumpeter
Album Tweets 6.
Walt Mundkowsky [January 2010.] Paul BLEY: Tears (rec. Paris, 5-19-83). Bley (pno). Owl 034 984 755 9 (http://www.universalmusic.fr/). Purchased from Grooves Inc., Basel, CH (http://stores.ebay.com/groovesincuk). Bley summons past routines, haltingly. Also, Dolphy’s Music Matador (1963) and a tribute for trumpeter
Neben Wagner
Leveraging Google’s big-brother technology, I discover that I’ve only mentioned the lucky recipient of “Mad King” Ludwig II’s patronage in passing. In this line of work, avoiding Wagner is like a wine snob steering clear of Bordeaux.
Neben Wagner
Leveraging Google’s big-brother technology, I discover that I’ve only mentioned the lucky recipient of “Mad King” Ludwig II’s patronage in passing. In this line of work, avoiding Wagner is like a wine snob steering clear of Bordeaux.
Mostly Symphonies 12: Russian Angles
These two scores for films by Elem Klimov are wonderful discoveries… Both scores run rampant over moods and styles, and some may find the electric guitars and Esquivel-like flourishes a bit campy.
Mostly Symphonies 12: Russian Angles
These two scores for films by Elem Klimov are wonderful discoveries… Both scores run rampant over moods and styles, and some may find the electric guitars and Esquivel-like flourishes a bit campy.