Dan Albertson has written for La Folia since 2004. His pursuits involve languages, lexicography, music, musicology, poetry, and translation, and tend to veer away from mainstream artists. He has worked on the Living Composers Project since 2000, has written articles for MusikTexte, has contributed entries to the encyclopedia Komponisten der Gegenwart, and has edited multiple volumes of the British journal Contemporary Music Review, on the composers Helmut Lachenmann, Earle Brown and Aldo Clementi, plus two volumes on modernism and the string quartet and a co-edited volume on Spanish music beyond Spanish borders. He has been a member of its editorial board since 2014. He translates notes for Cybele Records in Düsseldorf and has contributed his own notes to a variety of international labels. His poems are generally short and static in nature. American by birth, he is now based abroad.
Dan Albertson
Huddersfield Festival 2004: Transpontine Reactions 2.
Installments two and three of the three-part retrospective of this past year’s Huddersfield Festival are made possible by BBC 3’s Hear and Now, which presented six concerts from this massive event.
Huddersfield Festival 2004: Transpontine Reactions 2.
Installments two and three of the three-part retrospective of this past year’s Huddersfield Festival are made possible by BBC 3’s Hear and Now, which presented six concerts from this massive event.
Huddersfield Festival 2004: Transpontine Reactions 1.
Festivals seem de rigueur these days — as omnipresent as Mozart on an American orchestra’s season schedule.
Huddersfield Festival 2004: Transpontine Reactions 1.
Festivals seem de rigueur these days — as omnipresent as Mozart on an American orchestra’s season schedule.
Thinking About Helmut Lachenmann, with Recommended Recordings
Helmut Lachenmann, the German composer born in Stuttgart in 1935, has been at the center of musical debates for nearly four decades and remains there, undaunted, today.
Thinking About Helmut Lachenmann, with Recommended Recordings
Helmut Lachenmann, the German composer born in Stuttgart in 1935, has been at the center of musical debates for nearly four decades and remains there, undaunted, today.