Jim Merod
Singing in the Shower: Ralph Ellison and the Blues
Ralph Ellison’s commentary on jazz and blues in his now-legendary volume of essays, Shadow and Act [Random House, 1953], presents a case for black musical creation as a universally representative art form.
Singing in the Shower: Ralph Ellison and the Blues
Ralph Ellison’s commentary on jazz and blues in his now-legendary volume of essays, Shadow and Act [Random House, 1953], presents a case for black musical creation as a universally representative art form.
Tommy Flanagan, a reminiscence
My personal memories of Tommy are too numerous to hold in a single grasp. His conversations were mini-seminars on the deep structure of music.
Tommy Flanagan, a reminiscence
My personal memories of Tommy are too numerous to hold in a single grasp. His conversations were mini-seminars on the deep structure of music.
What We Hear When We Listen to Music
I imagine that the perplexity of listening to music with all of the peculiarities and personal nuances that suffuse its engagement appears far simpler than the contrast I point to and the contexts that haunt my awareness here.
What We Hear When We Listen to Music
I imagine that the perplexity of listening to music with all of the peculiarities and personal nuances that suffuse its engagement appears far simpler than the contrast I point to and the contexts that haunt my awareness here.
The Question of Miles Davis
An Advance Excerpt from boundary 2 (Summer 2001, Duke University Press).
The Question of Miles Davis
An Advance Excerpt from boundary 2 (Summer 2001, Duke University Press).
Jazz Column
Now that maestro Chico O’Farrill has been rediscovered all over again — and he never went anywhere in the first place — the Afro-Cuban scene can smile a broad grin of recognition that one of its central figures is here given room to show off.
Jazz Column
Now that maestro Chico O’Farrill has been rediscovered all over again — and he never went anywhere in the first place — the Afro-Cuban scene can smile a broad grin of recognition that one of its central figures is here given room to show off.