Editor Mike Silverton contributed to the print bi-monthly Fanfare first as a columnist and later as a reviewer for about a dozen years before he proposed to Madrigal Audio Laboratories that they sponsor an Internet music review. Thus La Folia. (The sponsorship ended with Madrigal Labs’ demise. La Folia has since operated absent sponsorship or ads.) In addition to having contributed articles to Stereo Review, The Absolute Sound, and most recently, StereoTimes.com, Silverton produced poetry readings for Pacifica Radio (WBAI, KPFA, KPFK), WNYC and the New School for Social Research dogs’ lifetimes ago. His own poetry has appeared in anthologies compiled by the late William Cole, poetry mags, Harper’s and The Nation. More recently Silverton has shown his art at Aarhus Gallery, Belfast, Maine, and the Center for Maine Contemporary Art. A two-CD set, Analogue Smoque, Pogus 21029-2, features Silverton reading his texts to musical accompaniments by Tom Hamilton and Al Margolis. Silvertonresides with his wife Lee, an artist, in an 1842 town house on the coast of Maine (in which Jefferson Davis spent a night in 1854).
Mike Silverton
Thar’s Gold In Them Montaignes!
The collector of art music’s modernists surely remembers Disques Montaigne.
Thar’s Gold In Them Montaignes!
The collector of art music’s modernists surely remembers Disques Montaigne.
Franco Donatoni
It never occurred to me to respond to Donatoni’s music as an observer of the ego’s suppression.
Franco Donatoni
It never occurred to me to respond to Donatoni’s music as an observer of the ego’s suppression.
A Friend’s Tribute To Lucia Dlugoszewski
I wrote this for Lucia Dlugoszewski’s forthcoming CRI CD…
A Friend’s Tribute To Lucia Dlugoszewski
I wrote this for Lucia Dlugoszewski’s forthcoming CRI CD…
Bring Back the Rotary Dial!
The Confessions of a Reactionary.
Chaya Czernowin
The succinct (9:36) nonet’s title, Afatsim, translates to Galls, i.e., tissue swellings “often distinguished by a characteristic shape or color” brought about, usually, by parasites.
Chaya Czernowin
The succinct (9:36) nonet’s title, Afatsim, translates to Galls, i.e., tissue swellings “often distinguished by a characteristic shape or color” brought about, usually, by parasites.
Composer-Performer Tom Hamilton
… Tom Hamilton has, in the best, traditional sense, the ear of an acoustic instrumentalist and composer, despite his creative participation on the electronic side of events.
Composer-Performer Tom Hamilton
… Tom Hamilton has, in the best, traditional sense, the ear of an acoustic instrumentalist and composer, despite his creative participation on the electronic side of events.
Dictatorship? In Music? Man The Barricades!
Mike Silverton and Walt Mundkowsky blindside a CD annotator.
Dictatorship? In Music? Man The Barricades!
Mike Silverton and Walt Mundkowsky blindside a CD annotator.
Karlheinz Stockhausen’s Helicopter Quartet
There’s nothing in the least meretricious about Karlheinz Stockhausen (but mystical most certainly and another story altogether).
Karlheinz Stockhausen’s Helicopter Quartet
There’s nothing in the least meretricious about Karlheinz Stockhausen (but mystical most certainly and another story altogether).
Revolutionary Music: By Way of Rhetoric or Craft?
The subject of this pejorative is saxophonist-composer Fred Ho, a neighbor.
Revolutionary Music: By Way of Rhetoric or Craft?
The subject of this pejorative is saxophonist-composer Fred Ho, a neighbor.
Sofia Gubaidulina
Born in the Tatar Republic in 1931, the composer resides in Stuttgart — the West, hands-on familiarity with European art music’s vanguard. Yet even today, as globalization homogenizes cultures, Gubaidulina’s music looks to exotic frontiers in other than comfortably ersatz terms.
Sofia Gubaidulina
Born in the Tatar Republic in 1931, the composer resides in Stuttgart — the West, hands-on familiarity with European art music’s vanguard. Yet even today, as globalization homogenizes cultures, Gubaidulina’s music looks to exotic frontiers in other than comfortably ersatz terms.
Label Report: Hat Hut Records
This marks my third hatART label report.