Vol. 3, No. 3
What We Hear When We Listen to Music
I imagine that the perplexity of listening to music with all of the peculiarities and personal nuances that suffuse its engagement appears far simpler than the contrast I point to and the contexts that haunt my awareness here.
What We Hear When We Listen to Music
I imagine that the perplexity of listening to music with all of the peculiarities and personal nuances that suffuse its engagement appears far simpler than the contrast I point to and the contexts that haunt my awareness here.
Songs Without Words
Thoughts on what we hear when we listen to music.
Piano Diary 3.
Letter to Reykjavik, After Attending A Great Day in New York, After the All-Bach Festival of March 18th, etc.
Piano Diary 3.
Letter to Reykjavik, After Attending A Great Day in New York, After the All-Bach Festival of March 18th, etc.
Walt’s Ratatouille 3.
These records influenced the course my listening subsequently took. Their CD versions are new to me, and fifteen years have passed since I last lowered a stylus. Can one look back without disappointment?
Walt’s Ratatouille 3.
These records influenced the course my listening subsequently took. Their CD versions are new to me, and fifteen years have passed since I last lowered a stylus. Can one look back without disappointment?
Scardanelli’s Motley
Would that there were more of this kind of thing.
Al Margolis’s Clamorous Niche
I just finished reading a Sunday NY Times article about that kid, Jonathan Lebed, who made $800,000 on Internet stock trading (hey, kid, send some of what the SEC left ya to Pogus).
Al Margolis’s Clamorous Niche
I just finished reading a Sunday NY Times article about that kid, Jonathan Lebed, who made $800,000 on Internet stock trading (hey, kid, send some of what the SEC left ya to Pogus).
Letter from the Provinces, Number Two
My outpost here in quaint New England is within range of three radio stations that can be classified as classical.
Letter from the Provinces, Number Two
My outpost here in quaint New England is within range of three radio stations that can be classified as classical.
Incredible Risks: New and Improvised Music
Strange synchronicities.
A Wake for Montaigne?
I pick up releases on Montaigne without question, even if composers and performers are totally unknown to me. Others here at La Folia have written about Montaigne re-issues and favorites, and I just can’t keep quiet.
A Wake for Montaigne?
I pick up releases on Montaigne without question, even if composers and performers are totally unknown to me. Others here at La Folia have written about Montaigne re-issues and favorites, and I just can’t keep quiet.
Scrooge, Saxes and Sonic Circuits: Four from Innova
A fresh handful of new Innova releases demonstrates the American Composers Forum’s diversity and commitment in attending to new American music and performers.
Scrooge, Saxes and Sonic Circuits: Four from Innova
A fresh handful of new Innova releases demonstrates the American Composers Forum’s diversity and commitment in attending to new American music and performers.
CEC and Digital Rewind
CEC and Digital Rewind: 25th Anniversary of MIT’s Experimental Music Studio
CEC and Digital Rewind
CEC and Digital Rewind: 25th Anniversary of MIT’s Experimental Music Studio
The Hyperion Schubert Lieder Edition, Part Three
The thirty-seven volume Hyperion Schubert Lieder Edition, containing all of Schubert’s more than six hundred songs, is one of the great landmarks in the history of recording.
The Hyperion Schubert Lieder Edition, Part Three
The thirty-seven volume Hyperion Schubert Lieder Edition, containing all of Schubert’s more than six hundred songs, is one of the great landmarks in the history of recording.