Articles tagged 'BA Zimmermann'
Piano Factory 28.
My favorite track is the Prelude from Bach’s Second English Suite which glows fantastically on Fender Rhodes.
Piano Factory 28.
My favorite track is the Prelude from Bach’s Second English Suite which glows fantastically on Fender Rhodes.
String Theory 3: Viols and Violas
What are the odds that we’d have two shakes at one Aperghis opus?
String Theory 3: Viols and Violas
What are the odds that we’d have two shakes at one Aperghis opus?
An Enigma of Germans
The latest offering in the KAIROS Lachenmann series has a famous work, an obscure work and a new work, spread across two discs but offering only 94:47 of music.
An Enigma of Germans
The latest offering in the KAIROS Lachenmann series has a famous work, an obscure work and a new work, spread across two discs but offering only 94:47 of music.
Eötvös, Vidovszky, Szollosy: Hungarian Holiday 1.
I have been meaning to tackle some Hungarian composers and a few colorful Budapest Music Center releases for quite some time, even before Ligeti’s passing (June 12, 2006) made the stack shift ever so slightly.
Eötvös, Vidovszky, Szollosy: Hungarian Holiday 1.
I have been meaning to tackle some Hungarian composers and a few colorful Budapest Music Center releases for quite some time, even before Ligeti’s passing (June 12, 2006) made the stack shift ever so slightly.
Mostly Symphonies 5.
This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.
Mostly Symphonies 5.
This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.
Meat, Potatoes, Parsley: Eötvös, Kagel, Leifs, Pritchard, Stäbler, B.A. Zimmermann
Listen to a sandbox. BMC opens a fascinating view onto an original creator’s work with “Electrochronicle,” wherein Eötvös revisits 1970s electroacoustic work and improvisations.
Meat, Potatoes, Parsley: Eötvös, Kagel, Leifs, Pritchard, Stäbler, B.A. Zimmermann
Listen to a sandbox. BMC opens a fascinating view onto an original creator’s work with “Electrochronicle,” wherein Eötvös revisits 1970s electroacoustic work and improvisations.
Up from the Archives
Deutsche Grammophon’s Echo 20/21, Wergo’s Fortieth, and ENHB
Of Time and the River: B.A. Zimmermann, Mario Pagliarani
Bernd Alois Zimmermann’s discography is in a pretty good state, even if a classic recording like Palm and Kontarsky’s Intercomunicazione and the excellent CD in DG’s defunct 20th Century Classics series that last enshrined it has vanished (but not from our shelves).
Of Time and the River: B.A. Zimmermann, Mario Pagliarani
Bernd Alois Zimmermann’s discography is in a pretty good state, even if a classic recording like Palm and Kontarsky’s Intercomunicazione and the excellent CD in DG’s defunct 20th Century Classics series that last enshrined it has vanished (but not from our shelves).
An Assortment of Moderns, Part II
I was way pleased when the Grammys gave George Crumb’s Star-child the honors for Best Contemporary Composition of 2000.
An Assortment of Moderns, Part II
I was way pleased when the Grammys gave George Crumb’s Star-child the honors for Best Contemporary Composition of 2000.