Articles tagged 'Berio'
Der kranke Pierrot
As important as the thrice-seven poems of Op. 21 have been to my musical development, I can no longer sit still through Pierrot lunaire.
Der kranke Pierrot
As important as the thrice-seven poems of Op. 21 have been to my musical development, I can no longer sit still through Pierrot lunaire.
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
Italian Vacation 7.
Some Clementi pieces slow the pulse and compel contemplation. Others fly by like white-water rapids.
Italian Vacation 7.
Some Clementi pieces slow the pulse and compel contemplation. Others fly by like white-water rapids.
Italian Vacation 5.
Always-reliable mode’s charming portrait of two influential and beloved mid-century Italian composers begins with Petrassi’s spry Stravinsky centenary offering, scored for mandolin, guitar, viola, cello, double-bass and percussion.
Italian Vacation 5.
Always-reliable mode’s charming portrait of two influential and beloved mid-century Italian composers begins with Petrassi’s spry Stravinsky centenary offering, scored for mandolin, guitar, viola, cello, double-bass and percussion.
Further Aperghis Sightings
Ever since encountering Récitations in a Mexico City Tower Records discount bin, I’ve eagerly sought other Aperghis recordings.
Further Aperghis Sightings
Ever since encountering Récitations in a Mexico City Tower Records discount bin, I’ve eagerly sought other Aperghis recordings.
Anomalies Pleasant and Surprising
Berio may have been the postwar generation’s most sentimental if not most wistful composer. Unlike many of his peers, he acknowledged music’s history and would freely adapt, orchestrate and reinterpret the music of others, as well as his own.
Anomalies Pleasant and Surprising
Berio may have been the postwar generation’s most sentimental if not most wistful composer. Unlike many of his peers, he acknowledged music’s history and would freely adapt, orchestrate and reinterpret the music of others, as well as his own.
“This Represents At Least a Thousand Words I Was Not Counting On”
This new recording of Berio’s ambitious Sinfonia is the best yet, upstaging Boulez’s aggressive 1984 reading.
“This Represents At Least a Thousand Words I Was Not Counting On”
This new recording of Berio’s ambitious Sinfonia is the best yet, upstaging Boulez’s aggressive 1984 reading.
Schoenberg’s “Mis-Handel-ing” and Other Curiosities
We dwell rather on a few monstrous creations by composers who should have known better. Step at your own risk behind a dingy sideshow curtain to gawk at a shelf of specimens in dirty jars.
Schoenberg’s “Mis-Handel-ing” and Other Curiosities
We dwell rather on a few monstrous creations by composers who should have known better. Step at your own risk behind a dingy sideshow curtain to gawk at a shelf of specimens in dirty jars.
Italian Vacation 1.
More than any other 20th-century composer — and like the Gabrielis, the other great Venetian composers centuries before him — Nono wrote music sensitive to the performance space’s acoustics.
Italian Vacation 1.
More than any other 20th-century composer — and like the Gabrielis, the other great Venetian composers centuries before him — Nono wrote music sensitive to the performance space’s acoustics.
Up from the Archives
Deutsche Grammophon’s Echo 20/21, Wergo’s Fortieth, and ENHB
Walt’s Ratatouille 6.
Utrecht’s Rosa Ensemble is another of the category-crossing bands that renders the New Music scene in Holland so vital.
Walt’s Ratatouille 6.
Utrecht’s Rosa Ensemble is another of the category-crossing bands that renders the New Music scene in Holland so vital.
Three Reviews
A longtime staple of the Harmonia Mundi catalogue, Gregorio Paniagua’s La Folia deserves comment for its title alone.
Three Reviews
A longtime staple of the Harmonia Mundi catalogue, Gregorio Paniagua’s La Folia deserves comment for its title alone.