String Theory 20: Mostly Violin (with Piano Accompaniment)

With coarse harmonies and a rhythmic engine requiring a few cranks before it hums, the two-movement Sonata emerges brooding and severe, wonderfully modern and unfamiliar.

String Theory 12: Violin (with Piano, Mostly)

Fokkens declares a natural and mature style through efficient notes and rhythm.

An Assorted Ramble

I had never heard of Swiss composer Hermann Meier before this disc, and now I am eager for more.