Mostly Symphonies 9.

Bursting like firecrackers, Solbiati’s two symphonies strike the listener as difficult works born of equally hard labor.

Armchair Operas 3.

With a knowing nod towards Pasolini’s Salò, McVicar and Devlin have set Strauss’ luscious single act (and last avant-garde salvo) in a high-ceilinged, multi-purpose cellar whose dingy tiles and fittings suggest a kitchen, showers, or more appropriately, an abattoir.

Five from hatART

Despite its diminutive size, hatART weighs in among the great ones…