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Is Via Crucis colorless and ephemeral? Is Socrate religious? This duo piano release crafts a universe where Liszt, Satie and Cage blur.

Solos and Underdogs

Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.

A Dernier CRI, Slices of Cantaloupe, and Schlag from Vienna Modern Masters

This is one of CRI’s most persuasive releases and also one of its last.