Articles tagged 'Pärt'
Mostly Symphonies 33.
There are countless moments in Plötzlichkeit and La Terre est un Homme where I would not have been surprised if a page turn had transported us to Berg’s Reigen.
Mostly Symphonies 33.
There are countless moments in Plötzlichkeit and La Terre est un Homme where I would not have been surprised if a page turn had transported us to Berg’s Reigen.
Mostly Symphonies 30.
In 16 intentionally disjointed tracks, with internal repetitions and drop-kicked transitions, Play.list unspools like a pocket Strauss tone poem tracked randomly.
Mostly Symphonies 30.
In 16 intentionally disjointed tracks, with internal repetitions and drop-kicked transitions, Play.list unspools like a pocket Strauss tone poem tracked randomly.
String Theory 20: Mostly Violin (with Piano Accompaniment)
With coarse harmonies and a rhythmic engine requiring a few cranks before it hums, the two-movement Sonata emerges brooding and severe, wonderfully modern and unfamiliar.
String Theory 20: Mostly Violin (with Piano Accompaniment)
With coarse harmonies and a rhythmic engine requiring a few cranks before it hums, the two-movement Sonata emerges brooding and severe, wonderfully modern and unfamiliar.
Piano Factory 13.
Manhkopf’s vigorous attacks remind that the piano does not sustain. Indeed this conceit sparks Rhizom, a Glenn Gould homage, in which multiple layers of material intersect and interfere.
Piano Factory 13.
Manhkopf’s vigorous attacks remind that the piano does not sustain. Indeed this conceit sparks Rhizom, a Glenn Gould homage, in which multiple layers of material intersect and interfere.
Mostly Symphonies 16.
A central instigator in the Wiener Aktionismus movement, Nitsch has been celebrated and vilified for events involving paint-splattering, animal disembowelment and nudity.
Mostly Symphonies 16.
A central instigator in the Wiener Aktionismus movement, Nitsch has been celebrated and vilified for events involving paint-splattering, animal disembowelment and nudity.
String Theory 4: String Orchestras
Ever willful, Pettersson forges sternly lyric melodies in which every pitch counts. Typical of the composer, gorgeous tonal moments, usually cadential, emerge from dissonance.
String Theory 4: String Orchestras
Ever willful, Pettersson forges sternly lyric melodies in which every pitch counts. Typical of the composer, gorgeous tonal moments, usually cadential, emerge from dissonance.
Dowland Our Contemporary: String Quartets
With detours, these days I go straight from the 1620s (deaths of Byrd, Gibbons, Dowland and Bull) to the modern era…
Dowland Our Contemporary: String Quartets
With detours, these days I go straight from the 1620s (deaths of Byrd, Gibbons, Dowland and Bull) to the modern era…
Piano Factory 3.
Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.
Piano Factory 3.
Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.
Göteborgs Wond’rous Machine
When we think of pipe organs, we usually envision the big tin whistles up front, the prestants or display pipes.
Göteborgs Wond’rous Machine
When we think of pipe organs, we usually envision the big tin whistles up front, the prestants or display pipes.
Scardanelli’s Other Motley: More or Less Classical
As concerns the American new-music aficionado, until recently, Manfred Eicher’s Munich-based label had been sending releases to the US which tend to position ECM a click or two away from the vanguard’s hard core.
Scardanelli’s Other Motley: More or Less Classical
As concerns the American new-music aficionado, until recently, Manfred Eicher’s Munich-based label had been sending releases to the US which tend to position ECM a click or two away from the vanguard’s hard core.