Mostly Symphonies 22.

Intended as a response to Brahms’ four, this symphony could be the primordial soup from which Hamburg’s greatest son emerged.

Armchair Operas 7.

Der Mond appeared two years after the runaway hit Carmina Burana, and like most everything Orff penned in its wake, it shares the same beer-hall bravado, diatonic gamut and hammering rhythms.

Mostly Symphonies 7.

Weiner completed his arrangement in 1955, and this is apparently the first recording. The challenges and decisions are huge.