Articles tagged 'Stockhausen'
Maestro di Suoni e Silenzi: Necessary Nono 5.
This big-little piece asks for a contralto, flute (piccolo and bass flute), tuba, and a percussion sextet playing Sardinian bells, crotales and bongos, but also some complicated live electronic processing.
Maestro di Suoni e Silenzi: Necessary Nono 5.
This big-little piece asks for a contralto, flute (piccolo and bass flute), tuba, and a percussion sextet playing Sardinian bells, crotales and bongos, but also some complicated live electronic processing.
Percussion Ramble with Toys
In Meadowcroft’s fragile structures, players may set into motion broken toys, or trigger recordings.
Percussion Ramble with Toys
In Meadowcroft’s fragile structures, players may set into motion broken toys, or trigger recordings.
Used Bin Troll Tweets Y.
Is Via Crucis colorless and ephemeral? Is Socrate religious? This duo piano release crafts a universe where Liszt, Satie and Cage blur.
Used Bin Troll Tweets Y.
Is Via Crucis colorless and ephemeral? Is Socrate religious? This duo piano release crafts a universe where Liszt, Satie and Cage blur.
Piano Factory 17.
Craven provides only pitches and permits repetitions, octave displacement, variable dynamics, etc.
Piano Factory 17.
Craven provides only pitches and permits repetitions, octave displacement, variable dynamics, etc.
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
Percussion on mode
Huang (re)introduces a particular genre of percussion music, works written for Trio Le Cercle. These films use close-ups, overlays and subtitles, so that the DVD experience is far richer than a live one.
Percussion on mode
Huang (re)introduces a particular genre of percussion music, works written for Trio Le Cercle. These films use close-ups, overlays and subtitles, so that the DVD experience is far richer than a live one.
Percussion with Pianos
There are old and new friends to be found in Edwardes’ excellent recital.
Percussion with Pianos
There are old and new friends to be found in Edwardes’ excellent recital.
Maestro di Suoni e Silenzi: Necessary Nono 4.
Cuckson and Burns offer the first 5.1 surround sound release of La lontananza. Given the violinist moves through space, this format makes perfect sense.
Maestro di Suoni e Silenzi: Necessary Nono 4.
Cuckson and Burns offer the first 5.1 surround sound release of La lontananza. Given the violinist moves through space, this format makes perfect sense.
Atopos Survey 1. / Italian Vacation 11. / Piano Factory 12.
Although Atopos has been around for over a decade, I’ve only just discovered them. The emphasis is of course Italian, the sensibility suggesting various late-20th century Italians taking cues from European (Darmstadt) and American (Cage, Feldman, et al.) trends.
Atopos Survey 1. / Italian Vacation 11. / Piano Factory 12.
Although Atopos has been around for over a decade, I’ve only just discovered them. The emphasis is of course Italian, the sensibility suggesting various late-20th century Italians taking cues from European (Darmstadt) and American (Cage, Feldman, et al.) trends.
EA Bucket 15.
The zeitkratzer troupe gathered in Slovenia and Croatia to execute structured improvisations motivated by Stockhausen’s baffling instructions.
EA Bucket 15.
The zeitkratzer troupe gathered in Slovenia and Croatia to execute structured improvisations motivated by Stockhausen’s baffling instructions.
Piano Factory 7.
I’ve been dipping into this fluent sampler between more difficult stuff, enjoying Halffter’s compact brightness and Santinelli’s flair and execution.
Piano Factory 7.
I’ve been dipping into this fluent sampler between more difficult stuff, enjoying Halffter’s compact brightness and Santinelli’s flair and execution.
EA Bucket 12.
As a sometime electroacoustic practitioner, I listened to this set as other than as critic. While all composers are critics, the obverse is not necessarily true — a discussion for another day.
EA Bucket 12.
As a sometime electroacoustic practitioner, I listened to this set as other than as critic. While all composers are critics, the obverse is not necessarily true — a discussion for another day.